The museum believes in the promise of art and ideas to illuminate our lives and build a more just world.
The first exhibition in North America explores the influential art practices that emerged in South Korea in the decades following the Korean War.
The exhibition surveys over five hundred years of intaglio prints drawn from the extensive collections of the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum.
Nkosi's multimedia installation delves into the architecture of the gymnastics arena, serving as a vessel for narratives of identity, performance, patriarchy, and power.
Vamba Bility contemplates diasporic existence and its reveries through a lyrical ensemble of paintings, sculpture, textile, and sound.
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